In the city of palaces Vir Das takes two friends - an American who looks like an Indian, Raj Sharma, and an Indian who looks like a foreigner, Ashwin Mushran. What is it like to be a jester and make the king laugh? They go to meet the king but God decides to rain on their hopes. Literally. And of course, they do the touristy things like ride camels, eat local food, try local drugs. The usual.
In the city of palaces Vir Das takes two friends - an American who looks like an Indian, Raj Sharma, and an Indian who looks like a foreigner, Ashwin Mushran. What is it like to be a jester and make the king laugh? They go to meet the king but God decides to rain on their hopes. Literally. And of course, they do the touristy things like ride camels, eat local food, try local drugs. The usual.
In the city of love and kebabs and people who love to eat kebabs, Vir Das and his fellow comedians Shruti Seth and Amit Tandon try and go to the place where comedy in India began - not in the clubs and bars of India's cities - but in the halls of hasyakavis and shaayars of Lucknow. Along the way they learn to do the perfect aadaab, the tehzeeb and also Amit almost dies. Classic Lucknow.
In the city of palaces Vir Das takes two friends - an American who looks like an Indian, Raj Sharma, and an Indian who looks like a foreigner, Ashwin Mushran. What is it like to be a jester and make the king laugh? They go to meet the king but God decides to rain on their hopes. Literally. And of course, they do the touristy things like ride camels, eat local food, try local drugs. The usual.
For the season finale, Vir Das, Ashwin Mushran, and Raj Sharma go to the one place that barely has more mountains than people, and try to put up a comedy show there. They almost reach Tibet, they hang with donkeys, they dance on the streets will people turn up? What makes people in the harshest region in the world laugh?
The murder of a young businessman in Old San Juan, Puerto Rico marks the start of a 15-year hunt and an international game of cat and mouse to find the killer. Natalie Morales reports.
“I tossed out one last question: ‘Have you ever been in love?’ No one, he said, had ever asked him that in an interview. ‘Yes,’ he finally answered. ‘But I didn’t realize it until it was too late.’ Then he asked me to turn off my recorder. I hit Stop."
“My personal life was another story. In love there’s no hiding: You have to let someone know who you are, but I didn’t have a clue who I was from one moment to the next.”
“Ours was a common and unsung friendship, that between women living in New York, single and alone, and the doormen who take care of them, acting as gatekeepers, bodyguards, confidants and father figures.”
“We rallied, not with the adrenaline-pumping determination to win at all costs, but with the patience and control that came with not wanting it to be over: not the summer, not our son’s childhood, not this game, ever.”
“There is never a good time to fall off your couch onto a martini glass and begin losing a dangerous amount of blood, but having this happen in the middle of a promising date is an especially bad time.”
“He was very handsome. He wore gray turtleneck sweaters and smelled like mint aftershave and old books. He was 55 and recently divorced for the second time. He was my father. He wasn't really my father.”
“There was no guarantee that doing an open adoption would get us a baby any faster… in fact, our agency warned us that, as a gay male couple, we might be in for a long wait.”
“Old love is different. In our 70s and 80s, we had been through enough of life’s ups and downs to know who we were, and we had learned to compromise. The finish line was drawing closer.”
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As Jackson gets ready for surgery, Maria and Victor await their “three-person baby” at a Ukrainian clinic that uses pronuclear transfer technology.